展览名称：“人性的玩味”――丁力艺术个展

    Exhibition name: Human Nature – Solo Exhibition of Ding Li

    策展人：武树

    Exhibition planner: Wu Shu

    艺术家：丁力

    Artist: Ding Li

    开幕酒会：2009年4月24日下午3点

    Opening banquet: 3 p.m., April 24, 2009

    展览时间：2009.4.22――2009.5.1

    Exhibition date: April 22, 2009 – May 1, 2009

    展览地点：上海市欧阳路580号

    Exhibition address: 580 Ouyang Road, Shanghai

    主办单位：朱屺瞻艺术馆

    Organizing unit: Zhu Qizhan Art Museum

    联系电话：021-56710741

    Tel.: 021-56710741

    艺术现代性的基础是主体性，在某种意义上来说，当下的艺术创作很大程度忽视了对主体本位的认知和思考，过大的强调了创作的社会性和过于刻意的现实意义。主体自身认知的片面性，让主体性的建构过于狭隘，其他都难以为继。本次展览是年轻艺术家丁力对艺术独立的个人感知和精彩呈现，他的创作更多的强调着自我本位的良性认知，作品亲切，细腻自然。

    The foundation of the modernity of art lies in its subjectivity; in a certain sense, the current artistic creation has, to a considerable degree, neglected the awareness and contemplation of subject right, while overly emphasizing the sociality and the undue practical significance. The insufficient recognition of subject right results in the narrow construction of subjectivity, allowing no space for anything else that’s important in art. This exhibition is the unique personal perception and outstanding presentation of art by young artist Ding Li, whose works focus more on the favorable cognition of the self and are cordial, subtle, and natural.

    这是丁力自巴黎艺术学院毕业回国后的第一个个展。作为新一代留法学习的年轻艺术家，丁力的艺术现在更多的关注绘画本身的一些问题，绘画的技法、情境的营造等。第一次看到丁力的作品就会被他画面的情趣所感染。他善于营造一些场景式的镜头画面：一个宽大的背景，穿插点缀着一些作为主体的人和物，他们在这里作为一个炫丽因子演绎着画家一幕幕内心情境。个体的各自独立看起来并无太大的关联，那是艺术家整理的记忆片段。画家大面积的使用灰色调营造整个画面的大背景，较薄的油彩带有强烈的水彩画的灵动，让画面气韵横生；荧光般艳丽的色彩小面积被用在主体事物的塑造当中，让画作保持着一种寓意性的格调；两者互为衬托，关系处理的很好。随意的真实，格调的自然！是令人非常享受的艺术作品！

    This is the first solo exhibition of Ding Li upon his return to home from his study at L’ecole des Beaux-Arts in France. As one of the new-generation artists that have studied in France, Ding Li’s artistic works now give more attention to some issues related to painting itself: the skills of painting, the creation of the atmosphere, etc. You will be touched by the fun and sentiment reflected in his paintings even at the first sight of his works. Ding Li is good at creating some setting-like camera scenes: a broad background, dotted with some men and objects as the subjects, mirroring the inner feelings of the artist. The subjects seem to be independent from and unrelated to each other, like the artist’s memory segments. The large area of grey tone to create a background that covers the whole painting and the thin color with an intense vividness of water-color paintings brings the paintings to life; the use of small-area color as flamboyant as fluorescence in the creation of the subject gives the paintings a fable touch; both implements and sets against the other perfectly well. Each implements and sets against the other with perfection. Truthful randomness and natural grace! These artistic works give you an unparalleled enjoyment.

    在这样一个充满活力的展览中，希望大家能够体会到艺术已经作为一种全新的生活姿态和方式正向我们迎面走开！

    We hope that, through such a vivid and vigorous exhibition, the audience will be able to realize that art, as a brand-new life attitude and method, is walking right towards us!